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Formed in Haledon, NJ in 1976, The Feelies released 4 albums, including their critically acclaimed and influential debut Crazy Rhythms, which was voted 49 in the top 100 albums of the 1980s by Rolling Stone magazine and chosen by Spin Magazine as 49 of the best alternative records of all time. Supporting the release of their first four albums the band appeared on the The Late Show With David Letterman and in concerts with The Patti Smith Group, REM, and Bob Dylan as well as touring with Lou Reed. The twin-guitar attack of songwriters and founders Glenn Mercer and Bill Million is the infectious sound of the group. Paired with driving drums and percussion, it has left an indelible mark on the landscape of rock and roll. In 2008, the Feelies re-united to open for long time admirers Sonic Youth at Battery Park and then resurrected their tradition of playing low key gigs at strategic intervals throughout the year rather than doing lengthy tours. In 2009 Bar/None re-issued Crazy Rhythms and The Good Earth, this being the first band-sanctioned CD release of the former. In 2011, they released a new studio albumHere Before. In March 2016, Bar/None Records re-released the third and fourth albums, Only Life and Time for a Witness. In addition, the Feelies recently wrapped up work on a brand new studio album, expected to be released later this year.
Beach Fossils began in 2009 as the solo project of Dustin Payseur. Before and after the 2010 release of the S/T debut LP and 2011’s What A Pleasure EP, they performed around the world with a lineup that once featured Cole Smith (DIIV) and John Peña (Heavenly Beat). They quickly became known for their highly energetic stage show, bringing the recorded work to a volume and tempo that would make even the indie-est of crowds wind up in a frenzy. With the exception of drummer Tommy Gardner, that lineup dissolved to pursue their ambitions with the aforementioned projects. Wanting to bridge the gap between the live and recorded aspects of the band, Dustin began writing Clash the Truth determined to capture the urgency, human flow and spontaneity of the live performance. Now with a full time drummer (and co-writer of two tracks on the LP) Beach Fossils entered the studio in the fall of 2012 with producer Ben Greenberg of The Men. Instead of merely going from a “bedroom DiY” project to a “better fidelity studio project” the deliberate decision to work with Ben was determined to capture, if not in style, the spirit and enthusiasm of punk and aggressive music in general. To ensure that dynamic, the drums were recorded live in a room with Dustin on bass to give the album a driving and energetic force. Consider the titles “Generational Synthetic,” “Caustic Cross” and “Burn You Down,” it’s easy to see how the record, while not a punk or post-punk record by strict definition, certainly nods to the first major influence of Dustin’s creative spark.